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Whitney Cummings: Tour Her Distant, Mountain-Set Dwelling Simply Outdoors L.A. | Architectural Digest


It was the soothing, monumental panorama that in the end swayed Whitney Cummings to purchase her house simply outdoors L.A. “I spent a lot of my childhood in Virginia and West Virginia, where the medicine is the mountain,” recollects the comic and actor, whose many skills embody writing, directing, producing, and podcasting. “I wasn’t anxious or stressed when I was there, and I always had perspective. I want to be in the middle of nowhere.”

The home’s unique interiors, which ventured into nightclub territory, in keeping with Cummings, had been much less engrossing. There was a darkish, steampunk aura to them, punctuated by glam gold parts, crystal chandeliers, and a glass hearth of varied colours. These options weren’t “honoring the essence of the house, but I was surrounded by three mountains, and I felt oxygen in my lungs, so I didn’t care. [I figured] I’d just deal with it later,” Cummings says.

Comedian and actress Whitney Cummings.

Photo: Getty Images

That second drew nearer as Cummings stored encountering the work of AD100 designer Jake Arnold, rising extra riveted by his aesthetic with every area she noticed. Dan Levy, of Schitt’s Creek fame, linked the 2, and Cummings and Arnold instantly hit it off. Soon, Arnold was busy remodeling what he describes as Cummings’s fake Tuscan villa right into a Santa Fe–meets–monastery–impressed abode layered with loads of heat and texture.

“I didn’t grow up with fancy stuff. Everything I have and want looks aged, with a wabi-sabi vibe,” Cummings says. “I’m a maximalist in every other part of my life, but I get so emotionally drained by clutter in my home. I wanted this to feel minimalist, like an old Spanish barn.”

Initially, Cummings thought she simply wanted a major furnishings improve. But Arnold had extra bold plans. “It was going to be a forever home, and we needed to start from scratch,” he explains. “I wanted to strip the house to its bones because it needed so much love and attention.”

Cummings instructed Arnold about her ardour for horses, her favourite resorts (Amangiri, Auberge Collection’s Lodge at Blue Sky in Utah, the Greenwich Hotel in New York), and the way when she wasn’t cringing on the horrors that unfolded in Hulu’s adaptation of The Handmaid’s Tale, she was ogling the “rustic English countryside” furnishings of the units. After distilling her numerous tastes, Arnold took command.

“She was very trusting, and I listened to everything she responded to and turned it into something more tactile that she could connect with,” he says. Arnold overhauled “strange moldings and generic finishes,” and rejuvenated rooms “with zero personality” by weaving in salvaged barn beams “to create architectural details.” Fireplaces and stair railings had been ripped out, and rooms had been redefined by expanses of “rough, organic, and earthy” plaster, in keeping with Arnold.

At the identical time, he didn’t stifle Cummings’s “wacky personality.” The library, for instance, is stocked with “5,000 of my vintage anatomy, art, and weird horse books,” Cummings says. Then there are the 2 espresso tables crafted from reclaimed barn wooden that bear the imprint of horse nibbles. “I was sobbing. It meant so much to me,” she provides. Singling out the Lewis & Wood wallpaper emblazoned with equine sketches in her workplace, Cummings notes: “Jake loves finding the needle in the haystack, the one piece no one has.”

At Cummings’s suggestion, her mattress is now located in the course of her bed room in order that “when you wake up, you see a mountain, the only thing that is going to prevent me from picking up my cell phone first thing,” she says. From the freestanding tub within the lavatory, the place {custom} oak screens function shutters, Cummings may even textual content Arnold to gush about how the sunshine completely displays on the water.

There had been sure challenges for Arnold, just like the commodious den. “The doors were large and the ceiling heights high, so we played with the scale,” he says. “I wanted the fireplace to look like a little hole in the wall. It feels really good in there now when you sink into the sofa.” Designers usually wish to go large, Cummings says, however she appreciates how Arnold possesses a reverence for smaller options, akin to petite work that “are surprising and feel intentional.”

Cummings has 4 canines who “run wild,” as Arnold places it, so he needed furnishings—a lot of it custom-made—that was slipcovered but elevated. A palette of wealthy brown, rust, and greige invitations guests to “sit in every single room.” Of the house typically, Cummings chimes in so as to add, “It felt flimsy before, and didn’t have a soul. Jake knows when to walk away and let the materials shine. Nothing’s more beautiful than old wood. You can’t compete with Mother Nature.”



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