Not rated. On VOD.
A elegant and tremendously transferring portrait of the lifetime of an English dairy cow named Luma, Andrea Arnold’s “Cow” is a real-life bovine “Bambi” and the second 2022 movie to land on my 10 greatest record, together with one other nature documentary, “The Velvet Queen,” a movie concerning the snow leopard of Tibet.
In the custom of the work of the good Cambridge-based documentary filmmaker Frederick Wiseman, “Cow” has no narration, though we hear occasional phrases spoken by farm staff and as soon as by an off-camera girl, presumably Arnold. Viewers are a “fly on the wall,” in some instances one in every of hundreds, watching what’s going on on a seeming day-to-day foundation with Luma, starting with the beginning of a brand new calf. As is presumably commonplace with newborns, the calf is taken away to the plain dismay of Luma, to be raised in a cell of its personal and fed milk till it has grown. I assumed this was carried out to guard the new child from the opposite cows and maintain it secure till it reached an age the place it was much less prone to be injured unintentionally.
Luma is a white-faced black-and-white Holstein cow with black patches beneath each eyes. A employee with a rubber glove up his arm inspects Luma and declares her wholesome. The flooring of the massive, labyrinthine barn are stuffed with rails and pens and coated in hay and cow excrement. There are areas for sure actions resembling milking and odd apparatuses for shaving hooves.
We see the cows prompted by staff despatched outdoors to pasture to feed on the recent, inexperienced grass of the open fields, the place they continue to be in a single day beneath the celebrities. Chevrons of geese fly excessive overhead, honking. More flies torment the cows. Tails and ears flop with out cease to guard the animals. The staff check with the cows as “girlies” and whistle, shout and wave their arms to get them transferring. Luma mates with a bull and turns into pregnant once more. The staff use twine to tie a new child’s legs and pull it out of the womb. Luma lashes out greater than as soon as on the handheld digicam that information her life. She is conscious of its presence. We gaze upon one in every of her eyes, questioning how a lot it takes in. Luma calls out for the second calf after it’s separated from her. Her maternal intuition is clear. Luma typically seems to ruminate, considering cow ideas. Is the therapy of such dairy cows moral?
According to PETA, cow farms are locations the place cows are exploited, abused and murdered. The farms are additionally pollutant factories when it comes to excrement and carbon dioxide. The farm in “Cow” is arguably a extra benevolent place, the place the animals are handled nicely by a group of skilled and pleasant staff. “Cow” will remind a lot of Viktor Kossakovsky’s great, award-winning 2020 nature movie “Gunda.” While I used to be not as excessive on “American Honey” as a few of my colleagues, I’ve admired Arnold’s “Red Road” and “Fish Tank.” The “Cow” soundtrack, which I believed was possibly performed within the barns for the cows, is a set of “easy listening” music by such artists as Billie Eilish, The Pogues and Kelsy Lu. Moo?
(“Cow” comprises scenes of a cow in misery and a cow being put down.)