Contained in the Spirited Milan Home of Furniture Impresario Andrea Molteni

To say that Andrea Molteni was born into the design world could be an understatement. As the scion of the furnishings dynasty based in Giussano, Italy, by his grandparents Angelo and Giuseppina Molteni in 1934, Andrea has been absolutely immersed within the grand custom of Italian design his whole life. Today, because the vice chairman and director of product growth for Molteni&C | Dada, he’s not solely safeguarding his household’s legacy but in addition forging new avenues of experimentation and innovation for the corporate and its affiliate manufacturers. “I was raised in the design industry, so the importance of quality is part of my DNA,” he says. “It’s more than just a question of style. I like things that are well made, products with inherent integrity and craftsmanship.”

The Milan house that Molteni shares along with his spouse, Camilla, and their younger daughter, Vittoria, is a testomony to the furnishings govt’s sensibility and strategy to design. “I saw a picture of the terrace and its rustic wood paneling, which really spoke to me,” he says, recalling his preliminary attraction to the residence, which had been lovingly renovated by a earlier proprietor. “The weather in Milan has been quite mild, so we are able to enjoy the outdoor space in many seasons. This place was my family’s saving grace during the pandemic,” he provides.

A sectional and cocktail tables by Vincent Van Duysen for Molteni&C anchor the lounge.

Molteni and his spouse outfitted the house in a vogue according to the corporate’s historic predilection for elegant fashionable kinds and an understated, largely monochromatic palette. Several of the items, together with the lounge sectional and cocktail tables, have been designed by AD100 architect Vincent Van Duysen, the inventive director for Molteni&C and Dada since 2016. “Vincent and I share a common view. There’s a subtlety in his work that I find very appealing,” Molteni states. The furnishings ensemble additionally encompasses different firm merchandise, previous and current, together with Jean Nouvel’s modular hanging bookcase system, re-editions of Gio Ponti cupboards and chairs, and a classy Rodolfo Dordoni credenza with fluted-glass doorways that was proven years in the past on the Salone del Mobile however is not in manufacturing.

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